Piaf, Edith. Goodbye Yellow Brick Road. John, Elton. Send in the Clowns. A Little Night Music. The Girl from Ipanema. Jobim, Antonio Carlos. Across the Stars. Pietschmann, Patrik. Fly Me to the Moon [midnight version]. Steinhauer, Dietmar. Watermelon Sugar. Styles, Harry. Let It Be.
The Beatles. The Force Theme. City of Stars. The Theorist. Fly Me to the Moon. Sinatra, Frank. The Hello Honey Pie - Jerry Wilton Und Sein Orchester* - Hit Magazin 70/2 (Cassette) - White Album. In My Life The Beatles. Let It Be The Beatles. Musicnotes Pro Send a Gift Card. Toggle navigation, Hello Honey Pie - Jerry Wilton Und Sein Orchester* - Hit Magazin 70/2 (Cassette).
Save on Every Order! Musicnotes Pro. Become a Member Today! Add to Cart. Transpose 7. G Major Orig. Quick Details. Musicians Like You Also Purchased. I think it's fair to say that Pattie is much more proud to have been an inspiration for those last three songs mentioned.
Or just coincidence? Recording History. I only heard it twice: when he recorded it and when we played it back to him. The tape Hello Honey Pie - Jerry Wilton Und Sein Orchester* - Hit Magazin 70/2 (Cassette) taken away and I've never heard of it since.
It was very home-made; it wasn't a big production at all. I just made up Hello Honey Pie - Jerry Wilton Und Sein Orchester* - Hit Magazin 70/2 (Cassette) short piece and I multitracked a harmony to that, and a harmony to that, and a harmony to that, and built it up scupturally with a lot of vibrato on the strings, really pulling the strings madly.
Hence, 'Wild Honey Pie' It was a little experimental piece. It wasn't carpeted then and it gave an interesting staccato effect. This fills tracks one and two, after which he fills track three with a syncopated rhythm on a tom-drum along with more harmony singing. Track four contains yet more harmony singing, this completing the recording of the song.
At approximately 3 am, this 53 second song was complete. The Hello Honey Pie - Jerry Wilton Und Sein Orchester* - Hit Magazin 70/2 (Cassette) that accompanies the "' White Album ' 50th Anniversary" box set explains the reason why it took great pains to acheive the perfect mix according to Paul's specifications.
This was done by brushing a hand over the metal spool while it rotated at 15 inches per second. It resulted in a sound similar to playing a cassette tape when the machine's batteries are almost flat. These copies were singed for and taken away by Mal Evans. Two attempts at this stereo mix were made using the same fluttering technique described above until they got it right.
Some of the vocals on this stereo mix are louder than on the mono mix, and the drum thumping is very faint in the first verse of the mono mix. Sometime inGiles Martin and Sam Okell went back to the master tape in order to create a new vibrant stereo mix of the song for the 50th Anniversary releases of the " White Album.
Song Structure and Style. Instrumentally, all three verses are the same, there appearing to be three acoustic guitars playing various rhythm and lead parts as well as one drum track comprising the use of bass drum and toms only.
And that's it! American Releases. The first U.
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