Worrying and comforting at the same time. Can you please explain this? I create the music in my home studio in my living room and both Frida and Susanne sing the vocals in their home studios. Then I get the acapella and make a brand new mix. Have they been an influence for the band? Those mentioned are a huge influence in fact. How do you remember writing the material for this album? The first was a test and more of an experiment in many ways. I contacted my old friend Mats Hammerman and his indie label Massproduktion and asked if he was interested in releasing some dark tunes and he said yes!
So we were more focused in a maybe more traditional way at working with Covered with Rain. And the music is always in a progressive mode. Never static. We can see some influences the drums in the song I see Darkness in Youand graphically, there is a connection, maybe more in the concept of the releases by Factory Records than in the result. What do you think that Red Mecca and Joy Division have in common?
Compared to everything. Do you think that your music can bring a piece of mind similar to that always associated with that ancient religion? What I can say is that the creative process in composing brings me peace of mind. Did it help to get more Red Mecca - Please Goddess (CD) Is it difficult for a Red Mecca - Please Goddess (CD) like yours to get more public in these days?
People got curious. I mean there are a lot of great bands doing dark wave electronica and post punk and stuff, but the audience is scarce in Sweden. Are you still that prolific? Most often. It goes on for periods. Musically and otherwise. And I get it. And she is doing very well!
Did listening to these songs make you start playing keyboards? Do you still enjoy disco? I mean, I was like on the brink of the punk explosion but still enjoyed disco stuff. And yes, nowadays I can really enjoy disco. But in a more nostalgic way.
But at the same time, you talk about Sundsvall being an industrial town. How do you think that your environment has been important in your way of creating your music? Although I am influenced by other musicians and music, of course, the surroundings and environments are my biggest inspiration.
Both the abandoned and the still used industrial buildings in my vicinity and the, sometimes monumentally beautiful, environment surrounding me. How would you describe her contribution to the band? How was this collaboration born? How did you feel playing a song of your first band? I Red Mecca - Please Goddess (CD) over some demos. So a collaboration was born! We also did Red Mecca reworked versions of a couple of his songs from his latest album, Dark Companion. Possibly an album later on.
For a new band project that is. Just fine. Do you think that the music of Red Mecca could fit in a film? Would you like to soundtrack a movie?
And the composition of visuals and audio in general. And as I mentioned before, we have soundtrack sync on the third season of Killing Eve, in writing moment yet to be aired. And yes, it would be awesome to get the opportunity to compose an original motion picture soundtrack!
Please let me do it! Can you tell us a bit more about it? We could only find a song in a compilation called There a lot of industrial on this compilation, where you appear with our friends of Zwaremachine. See our disclaimer. A Touch of Evil 2. Sly Doubt 3. Landslide 4. A Thousand Ways 5. Red Mask 6. Split Second Feeling 7. Black Mask 8. Spread the Virus 9.
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